Daniel Day-Lewis Expresses Annoyance Over Method Acting Being Compared to ‘Acting Insanely’ – Which Is Precisely the Reason It Captivates Us
It has been a long while since the public saw or heard from the acclaimed actor Daniel Day-Lewis. Following his statement in 2017 declaring he would cease to pursue acting, prior to the debut of Phantom Thread, Day-Lewis withdrew from the spotlight. However, in his absence, his legend has only grown.
The Mythos Surrounding His Method
Primarily, this legend centers on his preferred style of working. As someone known for immerses himself in the roles he plays – for instance, during Lincoln, he had Steven Spielberg call him “Mr President” for the entire production – the world has become increasingly obsessed with his process. Is it true he really send messages to co-star Sally Field in character as Lincoln? Did he only eat animals he’d killed during Last of the Mohicans? Did he demand receiving food via spoon for My Left Foot?
Extreme acting methods: have we lost interest with actorly excess?
Now, Daniel Day-Lewis has returned in the limelight, somewhat reluctantly, promoting his latest movie Anemone. And he is using this to express his anger regarding how method acting is perceived. “I am somewhat annoyed these days to hear all kinds of people talking carelessly and saying things like ‘fully embraced the Method’, which I think is meant to imply that someone is acting insane in an extreme fashion,” he told a major publication. “Everyone tends to focus on superficial details of the work, and these elements always seem to involve some sort of self-punishment or an experience that imposes upon oneself a severe discomfort or mental instability. But of course, in the life of an actor, it has to mainly focus on the internal work.”
A World of Imitators
Frankly, this sounds like the actor has come out from seclusion and found himself shocked by the acting community that has been created in his image. When you are regarded as one of the greatest performers in history, and your process involves headbutting a dummy to the point of injury (in Gangs of New York) or spending 48 hours in solitary confinement deprived of sustenance (for In the Name of the Father), then it stands to reason that fellow performers will attempt to emulate that example by trying to mimic your hero.
In other words, we now live in an environment populated by half-cocked Day-Lewis impersonators who want nothing more than to show the world the extensive degree of effort they invest in a character. At the shallow end of the pool we have people like Lady Gaga, who was determined to win an Oscar with House of Gucci that she spent the whole campaign trying to convince everyone that she transformed into an Italian native over 18 months as preparation.
Then we have Jared Leto, who chose to deeply embed himself into the role of the Joker (for Suicide Squad) by sending “horrifying” gifts to fellow cast members. These, according to various accounts, range from deceased animals to anal beads and used condoms, though Leto denied the most extreme claims. And then, naturally, we have Jim Carrey, who went so deep as Andy Kaufman during Man on the Moon that filmmakers succeeded in creating a feature-length documentary out of B-roll of him making life as impossible as he could for his colleagues.
The Modern Method Practitioners
The foremost practitioner of the Method currently seems to be Jeremy Strong (once Day-Lewis’s assistant), whose approach while filming Succession was so rigorously detailed that it became the basis of a derisive magazine feature, full of quotes from individuals who were either concerned for his behaviour (“It’s the cost on himself that worries me,” remarked Brian Cox) or annoyed beyond all measure by it (“I remember him causing everyone else to react with exasperation,” stated an unnamed co-star).
The actor claims he ‘did not plan to retire, really’
We have numerous additional cases. Andrew Garfield went celibate over half a year for Silence. Leonardo DiCaprio rested inside a dead animal for The Revenant. It’s quite possible that actor Austin Butler continues to talk like Elvis Presley, three years after the movie’s release. Each of these instances, in part, aims to evoke the seriousness with which Day-Lewis approaches his craft.
An Admirable But Uphill Fight
Moreover, although his rebuttal against method detractors might be noble, a short publicity tour may prove insufficient to change anyone’s mind, let alone their behaviour. Maybe if he wishes to make audiences recall the true essence of the Method, or to show them its potential results, then the optimal strategy for Day-Lewis is to simply begin producing additional movies. Surely we could all get behind that.